To him Aristotele Fioravanti we owe in all probability the model of the Palazzo del Podestà ordered by the Regiment in C.E.1472, since it was necessa… - Guido Zucchini

The freedom conquered [by the Bolognese] against the Viscontis, the desire to seal the new republican regime with a grandiose construction, dedicated to a local saint, perhaps emulation, which pushed them to surpass the cathedral of Milan and that of Florence, were the causes of the erection of San Petronio. (p. 54)

Towards C.E.1199, Bologna saw the two most singular and famous towers rise simultaneously: slender and vibrant, like a sword pointed towards the sky, the one built by the Asinelli and thrown upwards for more than ninety-seven meters above a square base of approximately eight meters on each side; slightly less wide, still resting on a base covered with selenite blocks, but inclined towards the east and unfinished due to the subsidence of the land, that of the Garisendi, who in the new competition of noble emulation had to stop the construction of the symbol of their strength. (pp. 28-30)

The formation of the Italian kingdom favored the development of an eclectic architecture and the renewed consciousness of our people soon led to grandiose building renovations and the applications of recent hygienic and sanitary conquests: but perhaps one day the regret will be great in thinking about which the master plans of Italian cities were entrusted to inexperienced hands. The sudden desire for demolitions and the sudden love for large spaces and large streets mathematically straight and intersecting at right angles prevented the coordination of the needs of traffic and hygiene with those of history and art and of preserving together with the fruits of new arts, the witnesses of the past and the picturesque aspects and the reasons for these aspects. (p. 164)