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More than anywhere else in this book, the author must now steer between Scylla and Charybdis, between saying too much and too little. How can we talk… - John Gunther
" "More than anywhere else in this book, the author must now steer between Scylla and Charybdis, between saying too much and too little. How can we talk about the Statue of Liberty without seeming ridiculously supererogatory? But how can we omit Brooklyn Bridge and still give a fair, comprehensive picture? One must either take the space to mention something that everybody knows everything about, or else risk omission of things that everybody will think ought to be included. Park Avenue in summer near Grand Central, a thin quivering asphalt shelf, and the asphalt soft, a thin quivering layer of street separating the automobiles above from the trains below; avenues as homespun with small exquisite shops as Madison and streets as magnificent as 57th; the fat black automobiles doubleparked on Fifth Avenue on sleety afternoons; kibitzers watching strenuously to see if the man running will really catch the bus; bridges soaring and slim as needles like the George Washington; the incomparable moment at dusk when the edges of tall buildings melt invisibly into the sky, so that nothing of them can be seen except the lighted windows; the way the pace of everything accelerates near Christmas; how the avenues will be cleared of snow and actually dry a day after a six-inch fall, while the side streets are banked solid with sticky drifts; how the noon sun makes luminous spots on the rounded tops of automobiles, crowded together on the slope of Park Avenue so that they look like seashells; the shop that delivers chocolates by horse- all this is too familiar to mention.
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About John Gunther
John Gunther (August 30, 1901 – May 29, 1970) was an American journalist and author. His success came primarily by a series of popular sociopolitical works, known as the "Inside" books (1936–1972), including the best-selling Inside U.S.A. in 1947. However, he is now best known for his memoir Death Be Not Proud, on the death of his beloved teenage son, Johnny Gunther, from a brain tumor.
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Additional quotes by John Gunther
Famously the South is the land of demagogues, of cumulus-cloudy politicians who emit wads of opaque cotton every time they open their mouths. Think back a little, to the time when men now mostly forgotten were household names- "Cotton Ed" Smith of South Carolina, who was probably the worst senator who ever lived, no mean honor; Tom Watson of Georgia and Tom Heflin of Alabama, one of the most fanatic reactionaries in American history, especially about things religious; John Sharp Williams of Mississippi, Cole L. Blease of South Carolina, one of the typical "spittoon senators," and of course Huey Long of Louisiana.
So now we come to New York City, the incomparable, the brilliant star city of parodies, the forty-ninth state, a law unto itself, the Cyclopean paradox, the inferno with no out-of-bounds, the supreme expression of both the miseries and the splendors of contemporary civilization, the Macedonia of the United States. It meets the most severe test that may be applied to definition of a metropolis- it stays up all night. But also it becomes a small town when it rains. Paradox? New York is at once the climactic synthesis of America, and yet the negation of American in that it has so many characteristics called un-American. One friend of mine, indignant that it seems impossible for any American city to develop on the pattern of Paris or Vienna, always says that Manhattan is like Constantinople- not the Instanbul of old Stamboul but of the Pera or Levantine side. He meant not merely the trite fact that New York is polygot, but that it is full of people, like the Levantines, who are interested basically in only two things, living well and making money. I would prefer a different analogy- that only Instanbul, of all the cities in the world, has as enchanting and stimulating a profile.
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