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" "There’s something so dark and weird about what a cliché it is…And it makes art harder because it’s like how do I turn this thing that operates on cliché — its life blood is the cliché — and create something interesting from this incredibly dead thing? If you say it’s as hot as an oven, your brain skips over the phrase, it’s so worn. And that’s what makes cliché so dangerous. If you say it enough, you lose your ability to engage with it in any kind of critical capacity.
(born July 3, 1986) is an American short story author, essayist, and critic from Allentown, Pennsylvania.
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... I find writing nonfiction difficult; it feels like pulling teeth. It’s technically and logistically challenging and emotionally draining, and the whole time you have one hand behind your back. I admire folks who write good nonfiction so much, because I’ve seen firsthand how hard it is to make it work and work well.
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People like domestic violence narratives to be very clear cut, and I talk about in the book how on some level I really wished, I wish she had just punched me in the face, and I had this black eye, and I could be like, "Hey, she punched me. I had a black eye. You recognize that, right?" But it was a lot more subtle than that…