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" "I think success is when you are confronted with utter defeat of your world, your intimacy, your ideas, your public picture, your heritage, your previous achievements. When in one moment it looks like there is one, and nothing that helps you. When almost every look is also a look of doubt, when you yourself put everything under the question mark. When all the illusions about yourself fall, illusions about your surroundings, about people, about faith and religion, about flags, about objects of love and how much are you in love…and then, in that moment of personal and private holocaust, of that ocean of pain looking like all inner strength faded away, and there is no right for excuses about your existence. When at that moment you rise and keep moving forward, you start and you lead a creative and productive life. Yes, I think that is objective strength and power.
Alfred Freddy Krupa (Krūppa) (14 June 1971, Karlovac, Yugoslavia) is a Croatian contemporary painter. He is one the best known European members of the global Modern Ink painting movement. Since 1990 Krupa is known for both exhibiting his European New Ink Art works together with writing an articles and essays from the field of an art theory (predominantly related to New Ink Art movement) published nationally and internationally.
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Sepia is a watery drawing technique and we can put it conditionally among the inks.This is a specific brownish color (obtained from the ink of sea mollusk the cuttlefish) which is sometimes "golden" and diluted with water on certain types of paper can give "green" tones. On one occasion when I painted on the sea, under the blast of a wind a map full of sepia drawings, flew into the sea With the help of a colleague we managed to get them out of the sea and dry them. But what happened? The structure of the drawings and the essential mass remained intact, and there were reddish, blue, yellow, green tones in the form of capillaries and tiny discolored stains, where there were clumps of dense sepia (sepie).This gave the drawings a special "atmosphere".
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They say that the first form of grated technique was invented by Max Ernst and is considered originally as the surrealistic technique. This is not just an "inverted" variant of ink drawing (positive-negative) but a technique that speaks with a completely different visual language. Maybe I could say that this is in my personal opinion (!) above all a supple expressionistic technique, where the expression is extremely fine put/render through strong contrast and energetically (more or less) scratch of the scalpel on the ink-coated surface of paper or cardboard.