The lesson is that dying men must groan;
And poets groan in rhymes that please the ear.

I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief — oh, no! — it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart.

I must die; so must I die groaning too?

How alike are the groans of love, to those of the dying.

Tears are the silent language of grief

What hope is there for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Forshorten'd in the tract of time?

These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden's locks;
Or when a thousand moons shall wane

A man upon a stall may find,
And, passing, turn the page that tells
A grief_ then changed to something else,
Sung by a long forgotten mind.

But what of that? My darken'd ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.

What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten'd in the tract of time?

These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden's locks;
Or when a thousand moons shall wane

A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.

But what of that? My darken'd ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.

What have I done, or tried, or said
In thanks to that dear woman dead?
Men triumph over women still,
Men trample women's rights at will,
And man's lust roves the world untamed.
* * * *
O grave, keep shut lest I be shamed.

and life beats on, and
we nurse our lives with tears,
to the sound of ripping linen beat our robes in sorrow,
close to the breast the beats throb
and laughter's gone and fortune throbs and throbs.

Grief that is dazed and speechless is out of fashion: the modern woman mourns her husband loudly and tells you the whole story of his death, which distresses her so much that she forgets not the slightest detail about it.

Do you not know that close to your doors a great multitude of men and women, flesh of your flesh, live lives that are one agony from birth to death? Listen! their dwellings are so near that if you hush your laughter you will hear their grievous voices, the piteous crying of the little ones that suckle poverty, the hoarse curses of men sodden in misery turned half-way back to brutes, the chaffering of an army of women selling themselves for bread. With what have you stopped your ears that you do not hear these doleful sounds?

I tell you hopeless grief is passionless,
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God’s throne in loud access
Of shrieking and reproach. Full desertness
In souls, as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute heavens. Deep-hearted man, express
Grief for thy dead in silence like to death — Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet;
If it could weep, it could arise and go.

October

O love, turn from the changing sea and gaze,
Down these grey slopes, upon the year grown old,
A-dying 'mid the autumn-scented haze
That hangeth o'er the hollow in the wold,
Where the wind-bitten ancient elms infold
Grey church, long barn, orchard, and red-roofed stead,
Wrought in dead days for men a long while dead.

Come down, O love; may not our hands still meet,
Since still we live today, forgetting June,
Forgetting May, deeming October sweet? -
- Oh, hearken! hearken! through the afternoon
The grey tower sings a strange old tinkling tune!
Sweet, sweet, and sad, the toiling year's last breath,
To satiate of life, to strive with death.

And we too -will it not be soft and kind,
That rest from life, from patience, and from pain,
That rest from bliss we know not when we find,
That rest from love which ne'er the end can gain?
- Hark! how the tune swells, that erewhile did wane!
Look up, love! -Ah! cling close, and never move!
How can I have enough of life and love?

I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.

The traveller hears me now and then,
And sometimes harshly will he speak:
`This fellow would make weakness weak,
And melt the waxen hearts of men.'

Another answers, `Let him be,
He loves to make parade of pain
That with his piping he may gain
The praise that comes to constancy.'

A third is wroth: `Is this an hour
For private sorrow's barren song,
When more and more the people throng
The chairs and thrones of civil power?

'A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?'

Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:

And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol'n away.