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I usually start with an outline and the basic idea. But I keep the idea simple enough so that everyone on set can have it in their head. Everyone wor… - Naomi Kawase
" "I usually start with an outline and the basic idea. But I keep the idea simple enough so that everyone on set can have it in their head. Everyone working on the film has to, as we say in Japanese, “put their antennas up,” and be aware of what is going on at all times, because at any given second we could be filming, we could be capturing a moment. Everyone on set has this understanding, and works toward this. The rough guidelines of the story, from point A to point B, are basically followed, but how you get there is a collaborative process. The audio guys on my films keep a wireless mike on me, because they never know when the camera is rolling! (laughs) Because they never know, they have to keep in close contact so that everyone’s on the same page. (discussing her creative process)
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About Naomi Kawase
Naomi Kawase (born 30 May 1969) is a Japanese film director and screenwriter
Also Known As
Native Name:
河瀨 直美
Alternative Names:
Kawase Naomi
•
Naomi Sentō
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Sentō Naomi
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Additional quotes by Naomi Kawase
I didn’t come into filmmaking from, as you say, watching other films and then wanting to be a director. Fundamentally, it was my love of the medium of film as a tool to capture the moment, the moment that’s happening right now. When film was first invented, there was that excitement about its ability to capture a moment in time, the here and the now. And that’s really the starting point for my interest in the film medium.
My early works were shot mostly in 16mm and on Super 8. The great thing about Super 8 is that it captures details so well. It can be very subtle in how it communicates them to the public. Digital video has it own benefits, but screening Super 8 films had to be done in a private room, with a projector. This was the only way to share my work with the audience, and it felt private and intimate, like a diary. It was an ideal format. And I don’t mean just for conveying the materiality of objects, but also capturing things you cannot see with a naked eye, the internality, feelings. Digital just feels to me a lot more objective. (experience and influence of filming across different formats on her work)
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I feel that copying western storytelling wouldn't help tell my story, to communicate who I am fully. You know maybe I've been influenced by these different cultures, but I wasn't taught filmmaking by anyone in particular, I wasn't told what sort of eye to have or how to see the world. I just on set cut out the sort of images and the moments that really touch me and share that, and that's what I do as a filmmaker and I think the world needs individuality, it needs uniqueness, but it's so it's important to be different from others and I think that's what it's all about. I think it's about enjoying life and showing what is different about how you see things through film and that's the most important thing that we can do through filmmaking.
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