At the end of the Middle Ages, castles began to lose their military function, but not their psychological impact as a symbol of authority. Gun powder… - Marilyn Stokstad

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At the end of the Middle Ages, castles began to lose their military function, but not their psychological impact as a symbol of authority. Gun powder and cannons supported armies of mercenary troops, and the garrison forts built to house them adopted the crenellated walls of private aristocratic castles. By the sixteenth century, professional soldiers lived in barracks, a few officers and the governor had finer quarters, and kings and nobles merely directed the operations from distant palaces where battlements had become purely symbolic decoration. The Battle of Crecy between France and England in 1346 is traditionally considered to be the first use of cannons on the battlefield. At first the noise and smoke created by the explosion terrified horses and men, and wreaked more havoc than the projectiles. Early cannons could be more dangerous for the gunners than for the enemy, but military engineers rapidly developed the weapons’ power and accuracy. A castle’s high walls and towers made easy targets for gunners whose power and accuracy reduced once formidable medieval buildings to rubble. Mining became more successful because the attackers could put explosives under the walls.

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About Marilyn Stokstad

Marilyn Stokstad (February 16, 1929 – March 4, 2016) was an American art historian of medieval and Spanish art, Judith Harris Murphy Distinguished Professor Emerita of Art History at the University of Kansas, and an author of art-history textbooks.

Also Known As

Alternative Names: Marilyn Jane Stokstad
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Were castles really as rough and rugged as their owners? The answer seems to be, “not necessarily.” Castles were indeed rough and rugged fortresses, the product of an essentially elite, masculine warrior society, what today we call a feudal society. But they were also among the finest buildings of their times—secure, well-built residences that supported the complex rituals of noble life. To understand how castle form came to meet castle function, we must look briefly at the castle’s social and economic underpinnings.

When an attacking force laid siege to a castle, they used techniques and weapons not unlike those developed by the ancient Romans. First they surrounded the castle in order to cut off all avenues of escape and resupply. They also built a camp ringed by ditches and palisades to secure their own position. Then they built siege engines—great stonethrowing devices—which they hoped would break down the castle walls. Although the knights’ chivalric code gave pride of place in warfare to a charge on horseback with lance or to hand-to-hand combat with swords, military engineers skilled in the mechanics of offensive engines had to first break through the walls. To breach the walls the army used battering rams, various kinds of projectiles, and mines. In other words they tried to go through, over, or under the walls.

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Whether looming over the land as a symbol of a ruler’s authority or providing a setting for displays of wealth and power in spectacular feasts and tournaments, castles made a visual statement about their owners. All ar chitecture has symbolic overtones, and the castle is a potent image.

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