Then we went down to his work room, in the horrible beautiful Merz grotto [the 'Merz-Haus', built by Kurt Schwitters, where broken wheels paired with… - Jean Arp

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Then we went down to his work room, in the horrible beautiful Merz grotto [the 'Merz-Haus', built by Kurt Schwitters, where broken wheels paired with matchboxes, wire lattices with brushes without bristles, rusted wheels with curious Merz cucumbers.. .How often did we 'p-lay' in this room! Schwitters called playing, considering the sweat, working. There we glued together our paper pictures, and as I tossed away one of my glued-together works one morning, Schwitters asked, 'You don't like it? Can I have it?' – 'What do you want with this failed piece of toast?' Schwitters took a good look at it and said, 'I'll put what's on top on the bottom, I'll stick a little Merz nose in this corner and I'll sign the bottom Kurt Schwitters.' And, yes indeed, this collage became a wonderful picture by Kurt Schwitters. Schwitters was a wizard, just as Hokusai was a wizard.

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About Jean Arp

Jean/Hans Arp (16 September 1886 – 7 June 1966) was a German/French sculptor, painter, poet and a founding member of Dadaism. Later he engaged himself with the French surrealists, in Paris, but broke with them in 1931. (When Arp spoke in German he referred to himself as 'Hans' Arp; in French he referred to himself as 'Jean' Arp.)

Also Known As

Alternative Names: Hans Arp Jean-Pierre-Guillaume Arp Hans Peter Wilhelm Arp Khans Arp
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Additional quotes by Jean Arp

the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.

Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe. Art has collaborated in this false development. I find this concept of art which has sustained man's vanity to be loathsome.

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It was Sophie [Taeuber] who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.

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