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" "BERNSTEIN: “I’ll read you the first few paragraphs.” (He got as far as the third. Mitchell responded, “JEEEEEEEEESUS” every few words.) MITCHELL: “All that crap, you’re putting it in the paper? It’s all been denied. Katie Graham’s gonna get her tit caught in a big fat wringer if that’s published. Good Christ! That’s the most sickening thing I ever heard.” BERNSTEIN: “Sir, I’d like to ask you a few questions about — ” MITCHELL: “What time is it?” BERNSTEIN: “Eleven thirty. I’m sorry to call so late.” MITCHELL: “Eleven thirty. Eleven thirty when?” BERNSTEIN: “Eleven thirty at night.” MITCHELL: “Oh.” BERNSTEIN: “The committee has issued a statement about the story, but I’d like to ask you a few questions about the specifics of what the story contains.” MITCHELL: “Did the committee tell you to go ahead and publish that story? You fellows got a great ballgame going. As soon as you’re through paying Ed Williams* and the rest of those fellows, we’re going to do a story on all of you.
Carl Bernstein (born February 14, 1944) is an American journalist who, as a reporter for The Washington Post along with Bob Woodward, broke the story of the Watergate break-in and consequently helped bring about the resignation of US president Richard Nixon. For his role in breaking the scandal, Bernstein received many awards; his work helped earn the Post a Pulitzer Prize for Public Service in 1973.
Biography information from Wikiquote
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Hardly unaware of his image, Bradlee even cultivated it. He delighted in displaying his street savvy, telling a reporter to get his ass moving and talk to some real cops, not lieutenants and captains behind a desk; then rising to greet some visiting dignitary from Le Monde or L'Express in formal, flawless French, complete with a peck on each cheek. — Carl Bernstein, Bob Woodward
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Deep Throat stamped his foot. “A conspiracy like this . . . a conspiracy investigation . . . the rope has to tighten slowly around everyone’s neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and Liddys. They feel hopelessly finished — they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, then everybody feels more secure. Lawyers work this way. I’m sure smart reporters must, too.