“Ritual” might be an acceptable term, if shorn of its overtly religious connotations.For me,breaking taboos became nothing less than a stylistic mean… - Günter Brus

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“Ritual” might be an acceptable term, if shorn of its overtly religious connotations.For me,breaking taboos became nothing less than a stylistic means. I allowed my body, my self, to be pushed into such extreme situations that certain norms of social behaviour could only appear utterly absurd to me.

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About Günter Brus

Günter Brus (27 September 1938 – 10 February 2024) was an Austrian painter, performance artist, graphic artist and writer. He was the main figure of Viennese Actionism alongside with Otto Mühl, Hermann Nitsch and Rudolf Schwarzkogler. From 1964 to 1970, he was doing actions, from 1970 focuses mainly on Bild-dichtungen and drawings.

Also Known As

Alternative Names: Gunter Brus Brus
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Additional quotes by Günter Brus

Oswald Wiener had just dropped by. We were watching a football world championship game. Suddenly,in the middle of a game with Germany,the reporter said,“Bertie Vogts slid in like an Irrwisch [Jack-o’-Lantern]”. Eureka! That was the title I was looking for,and Oswald wiener commented,“That fits perfectly-an irrer Wisch”

Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together,white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room,my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body,which for a long time remained in a catatonic position,with the soles of both my feet stuck as it were to the wall.[...] I had planned to do some bodypainting for the second part of the performance.[...] At first I poured black paint over the white objects,I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers,which ended by one of them leaving the room in a rage.[...] My unease increased,as I became aware of the defects in my “score”-and should this not have any,the mistakes in the way I was translating it into actions. Recognising this,I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises,and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel”. Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.

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