The book review lined up to appear in next weekend's Sunday Times seemed to be, in all respects, suitable stuff for the pages of a quality paper. The… - Joan Smith

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The book review lined up to appear in next weekend's Sunday Times seemed to be, in all respects, suitable stuff for the pages of a quality paper. The reviewer: Nigella Lawson, whose copy had been ordered and delivered. The book: an interesting polemical work (Faber & Faber, £9.99), due out on Monday. The author: Joan Smith, a former Sunday Times journalist and, now, coming writer and novelist. So far, so good. Enter Andrew Neil, the editor, whose principled line on the suppression of information and the duty of a free press to publish first, argue afterwards has been ringing around the High Court recently. His foot came down no less firmly at the mid-week editorial conference. That woman’s book was not, repeat not, going to see the light of day in his newspaper. Quail, quail. An interesting example, you might think, of male power exercised over women and their works. By the way, what is Ms Smith's book called? Misogynies, as it happens.

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About Joan Smith

Joan Alison Smith (born 27 August 1953) is an English novelist, journalist and human rights activist, who is a former chair of the Writers in Prison committee in the English section of International PEN. She is an advocate of gender-critical feminism.

Also Known As

Pen Names: Jennie Gallant
Alternative Names: Joan Alison Smith
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Shocking though the Savile revelations are, they have to be seen in a wider context. His behaviour was enabled by a revolution in sexual behaviour that was supposed to liberate both sexes, but actually offered endless opportunities to unscrupulous men. Its effects were far-reaching, creating poisonous attitudes towards victims of sexual abuse that are still being recycled in rape trials today. But it has also prompted a feminist critique that is vital if we’re ever going to understand the context that men like Savile operate in, and stop them at an early stage in their criminal careers.

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Smith’s book [Different for Girls] is, nevertheless, an acute and enjoyable analysis of misreadings and misrepresentations of women in popular culture. Put simply, her argument is that women are far less different from men than the media, religion, politicians, pundits and the fashion world would have it. And indeed there is a kind of ‘new woman’ abroad: a more androgynous, much tougher creature than the postwar or even Sixties model. The new woman, according to Smith, enjoys her own power, her own money, her own sexuality. She can play with self-image without burning her fingers. She is unimpressed by the ever-after promises of marriage (or of men, as it happens) and the easy seductions of motherhood. Smith has often written on the growing numbers of women – one in five, the most reliable figure – who refuse motherhood, and is particularly scathing on the patriarchal implications of infertility treatment.

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