I suppose [the apex of my work] would have to be Preacher. It's the thing that's the longest lasting, it's the thing that's seemed to have had the mo… - Steve Dillon

I haven't re-read [Preacher] yet. [...] Occasionally I see pages from it, and probably like most comic artists, the moment you see a drawing you did – no matter how many years ago – you can remember exactly how you did it, what the situation was when you were doing it, what time of night it was, whether you were drinking coffee or whether you were half-pissed! It all comes flooding back, just like smells or music bring back memories.

The acting side of comics is quite important to me. The facial expressions, how they interact and all that sort of thing. [...] I can [draw big fight scenes] if I need to, but not as good as some, because some people have a love for it, so that love shows through. I have a love for drawing people sitting in the pub talking. My specialised subject!

I drew a lot of scenes [in Preacher] of people vomiting. I'm probably the world's leading expert on drawing vomiting now.