She was broad and tall, and though her skin was the skin of a child, there could be seen coming, early in her life, the design that was to be the wea… - Djuna Barnes

Morbid? You make me laugh. This life I write and draw and portray is life as it is, and therefore you call it morbid. Look at my life. Look at the life around me. Where is this beauty that I am supposed to miss? The nice episodes that others depict? Is not everything morbid? I mean the life of people stripped of their masks. Where are the relieving features? Often I sit down to work at my drawing board, at my typewriter. All of a sudden my joy is gone. I feel tired of it all because, I think, "What's the use?" Today we are, tomorrow dead. We are born and don't know why. We live and suffer and strive, envious or envied. We love, we hate, we work, we admire, we despise. … Why? And we die, and no one will ever know that we have been born.

She was nervous about the future; it made her indelicate. She was one of the most unimportantly wicked women of her time — because she could not let her time alone, and yet could never be a part of it. She wanted to be the reason for everything and so was the cause of nothing. She had the fluency of tongue and action meted out by divine providence to those who cannot think for themselves. She was the master of the over-sweet phrase, the over-tight embrace.

For us, books have turned into fast food, to be consumed in the gaps between one bout of relentless living and the next. Airports, subways, maybe half an hour at bedtime, maybe something with the office sandwich, isn’t really ideal.