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" "I was already at the twentieth section of the book and not very happy with it, when I realised how it could be written. I saw that I would only be able to write it if I did so as if I were actually telling the story. That could not be done by putting so-called oral language into writing, because that's impossible, but by introducing into my writing a mechanism of apparent spontaneity, apparent digression and apparent disorganisation in the discourse. I say 'apparent' since I am only too aware of how much work it took to ensure that it turned out like that.
José de Sousa Saramago, GColSE (16 November 1922 – 18 June 2010) was a Portuguese novelist, poet, playwright and journalist. In 1995, he won the Camões Prize, and in 1998 he was awarded the Nobel Prize in Literature.
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[...], old photographs are very deceiving, they give us the illusion that we are alive in them, and it's not true, the person we are looking at no longer exists, and if that person could see us, he or she would not recognise him or herself in us, Who's that looking at me so sadly, he or she would say.
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Privatize everything, privatize the sea and the sky, privatize the water and the air, privatize justice and the law, privatize the passing cloud, privatize the dream, especially if it's during the day and open eyed. And finally, for the embellishment of so many privatizations, privatize the States, surrender once and for all their exploitation to private companies through international share offering. There lies the salvation of the world... and, while you're at it, privatize your whore mothers.