The Sultan reached Jhain in the afternoon of the third day and stayed in the palace of the Raya… He greatly enjoyed his stay for some time. Coming ou… - Amir Khusrau

Thanks to the perennial, well established convention of the world, the Hindu has all along been a game of the Turks. The relationship between the Turk and the Hindu cannot be described better than that the Turk is like a tiger and the Hindu, a deer. It has been a long established rule of the whirling sky that the Hindus exist for the sake of the Turk. Being triumphant over them, whenever the Turk chooses to make an inroad upon them, he catches them, buys them, and sells them at will. Since the Hindu happens to be a (wretched) slave in all respects, none need exercise force on his slave. It does not become one to scowl at a goat which is being reared for one’s meals. Why should one wield a sharp sword for one who will die by (just) a fierce look?

We find the Muslim historians going into raptures as they describe scenes of desecration and destruction. For Amîr Khusrû it was always an occasion to show off the power of his poetic imagination. When Jalãlu’d-Dîn Khaljî wrought havoc at Jhain, “A cry rose from the temples as if a second Mahmûd had taken birth”. The temples in the environs of Delhi were “bent in prayers” and “made to do prostration”, by Alãu’d-Dîn Khaljî. When the temple of Somnath was destroyed and its debris thrown into the sea towards the west, the poet rose to his full height. “So the temple of Somnãth,” he wrote, “was made to bow towards the Holy Mecca, and the temple lowered its head and jumped into the sea, so you may say that the building first said its prayers and then had a bath.” ... One wonders whether the poet of Islam is being honoured or slandered when he is presented in our own times as the pioneer of Secularism.

His genius, if not character, helped him spend “the whole of his life in spinning yarn” (or writing many untruths).