Never trust the artist. Trust the tale. The proper function of a critic is to save the tale from the artist who created it - D. H. Lawrence

I believe in being warm-hearted. I believe especially in being warm-hearted in love, in fucking with a warm heart. I believe if men could fuck with warm hearts, and the women take it warm-heartedly, everything would come all right. It's all the cold-hearted fucking that is death and idiocy.

Not I, not I, but the wind that blows through me!

Out of the very air comes a sense of danger, a queer, bristling feeling of uncanny danger. Something has happened. Something has happened which has not yet eventuated. The old spell of the old world has broken, and the old, bristling, savage spirit has set in... Back, back to the savage polarity of Tartary, and away from the polarity of civilised Christian Europe. This, it seems to me, has already happened. And it is a happening of far more profound import than any actual event. It is the father of the next phase of events. And the feeling never relaxes. As you travel up the Rhine valley, still the same latent sense of danger, of silence, of suspension. Not that the people are actually planning or plotting or preparing. I don't believe it for a minute. But something has happened to the human soul, beyond all help. The human soul recoiling now from unison, and making itself strong elsewhere. The ancient spirit of prehistoric Germany coming back, at the end of history.