I had to ride slow because I was taking my guerrilla route, the one I follow when I assume that everyone in a car is out to get me. My nighttime atti… - Neal Stephenson

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I had to ride slow because I was taking my guerrilla route, the one I follow when I assume that everyone in a car is out to get me. My nighttime attitude is, anyone can run you down and get away with it. Why give some drunk the chance to plaster me against a car? That's why I don't even own a bike light, or one of those godawful reflective suits. Because if you've put yourself in a position where someone has to see you in order for you to be safe — to see you, and to give a fuck — you've already blown it... We had a nice ride through the darkness. On those bikes we were weak and vulnerable, but invisible, elusive, aware of everything within a two-block radius.

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About Neal Stephenson

Neal Town Stephenson (born 31 October 1959) is an American writer, known primarily for his science fiction works in the postcyberpunk and chemical generation genres with a penchant for explorations of society, mathematics, currency, and the history of science.

Biography information from Wikiquote

Also Known As

Pen Names: Stephen Bury
Birth Name: Neal Town Stephenson

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Additional quotes by Neal Stephenson

Until a man is twenty-five, he still thinks, every so often, that under the
right circumstances he could be the baddest motherfucker in the world. If I
moved to a martial-arts monastery in China and studied real hard for ten years.
if my family was wiped out by Colombian drug dealers and I swore myself to
revenge. If I got a fatal disease, had one year to live, devoted it to wiping
out street crime. If I just dropped out and devoted my life to being bad.
Hiro used to feel that way, too, but then he ran into Raven. In a way, this is
liberating. He no longer has to worry about trying to be the baddest
motherfucker in the world. The position is taken. The crowning touch, the one
thing that really puts true world-class badmotherfuckerdom totally out of reach,
of course, is the hydrogen bomb. If it wasn't for the hydrogen bomb, a man
could still aspire. Maybe find Raven's Achilles' heel. Sneak up, get a drop,
slip a mickey, pull a fast one. But Raven's nuclear umbrella kind of puts the
world title out of reach.
Which is okay. Sometimes it's all right just to be a little bad. To know your
limitations. Make do with what you've got.

So I'm well aware that there are certain people frustrated with the endings of my books. I can remember at the time I was writing it, I told a friend of mine that the climax of Snow Crash was now longer than Moby-Dick: There's a helicopter that gets brought down; there's a private jet that blows up; some people die; there's confrontation and a girl goes home with her mom — so it seems like a good ending to me. [audience laughter] Once you write a book or two with controversial endings — and that meme gets going, of “Stephenson can’t write endings” — then that gets slapped on everything that you do no matter how elaborate the ending is. I think Anathem does OK on that score. I'm sure that I'll be hearing from some of the “Stephenson can’t write endings” people, but I think that it has a decent enough ending.

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If the item of stolen property had been anything other than a book, it would have been confiscated. But a book is different — it is not just a material possession but the pathway to an enlightened mind, and thence to a well-ordered society,

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