..[the walls in the city] witnessed the martyrdom and the inhumane repression inflicted on our people. - Antoni Tàpies

The most sensational surprise was the sudden discovery, one day, that my pictures, for the first time in history, had become walls. By means of what strange process had I arrived at such precise images? And why did they make me, their first viewer, quake with emotion?

In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context, is by far the most radical – in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.

The material presence of the work only serves as a conveyer launching an invitation to the observer to take part of the comprehensive game of the thousand and one emotions and visions.