Rimbaud has epitomized for me the true function of the artist when he wrote: 'The poet should define the quantity of the unknown which awakes in his … - Arshile Gorky

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Rimbaud has epitomized for me the true function of the artist when he wrote: 'The poet should define the quantity of the unknown which awakes in his time, in the universal soul. He should give more than the formula of his thought, than the annotation of his march toward progress. The enormous becoming the normal, when absorbed by everyone, he would really be a multiplication of progress.'

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About Arshile Gorky

Arshile Gorky (15 April 1904 – 21 July 1948), born Vostanik Manoog Adoyan, was an American abstract expressionist painter of Armenian descent, living and working in New York, where he got later strongly involved with American Surrealism. He was a very close friend of Willem de Kooning who respected him as a teacher in painting.

Also Known As

Native Name: Արշիլ Գորկի
Alternative Names: Ostanik-Manuk Adoian Arshil Gorʹkiĭ Arshile Gorky Adoian Arshil Gorky Osdanig-Manug Atoyan Arshil Gorki Adoyan Wostanig Adoyan Vosdanig Manoog Adoian Ostanik-Manuk Adoyan Arshil Gorki Ostanik-Manuk Adoyean Osdanig-Manug Atoian Vostanik-Manuk Adoian Arschille Gorky Vosdanik Adoian Arshele Gorky Vosdanig Adoian Archele Gorky Archel Gorky Archele Gorki Arshile Gorkij Adoian Gorky a. gorky
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Additional quotes by Arshile Gorky

The oldest girl [his daughter Maro, four and a half years old] did this. She paints like a little bird. And this, the young one [Natasha, two and a half] did. See, she paints on both sides of the canvas. She is more like a passionate plumber. I wish I could paint as freely as they do. There is a gravity of playfulness in their work. If they could only keep it – but they will lose it as they grow older.

I like the heat the tenderness the edible the lusciousness the song of a single person the bathtub full of water to bathe myself beneath the water. I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings of Seurat and that man [=Pablo Picasso ]. I measure all things by weight.

Yes, Johannes Vermeer [Dutch 17th century master painter] paints in thin layers – there is no waste effort – and those small dots – no, they are not like Seurat's, though they contain all the light the pointillist may have wished for, concentrated, hovering before the object, but not obliterating it.. .Vermeer is not a sun painter, but rather a moon-painter – like Uccello – that's good, it is the pure, final stage of art, the moment when it becomes more real than reality.

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