I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and talk, and then watch and wait … - Alex Webb

Three years after my first trip to Haiti, I realized there was another emotional note that had to be reckoned with: the intense, vibrant color of these worlds. Searing light and intense color seemed somehow embedded in the cultures that I had begun working in, so utterly different from the gray-brown reticence of my New England background. Since then, I have worked predominantly in color.

Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory.

In the mid 1970's, I began to be drawn towards places of cultural tension: borders, the edges of societies, worlds that have been transformed by an outside -- often northern -- culture. I was intrigued by the rawness, the tensions, and the emotional immediacy of the streets in these places.