I even went all the way to Greenland, because C. D. Friedrich painted that beautiful picture of The Wreck of the 'Hope'. I took hundreds of photos up… - Gerhard Richter

It was no accident that I found my way to Götz at the time [c. 1960-62]. This 'Informal' element runs through every picture I've painted, whether it's a landscape, or a family painted from a photograph, or the Colour Charts or a Grey picture. And so now it is a pursuit of the same objectives by other means.. .As I now see it, all my paintings are 'Informal'.. ..except for the landscapes, perhaps.. .The 'Informal' is the opposite of the constructional quality of classicism – the age of kings, of clearly formed hierarchies.

I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.

I only identified with (Rothko's seriousness, which was absolutely to be admired. At that time, in the 1970's Barnett Newman, with his non-hierarchical structures, his non-relational Color Field painting, seemed more interesting because his work was less pretty.