If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day. - Mickey Spillane

The little guy's face was a bloody mess. Between the puffballs of blue-black flesh that used to be eyelids, the dull gleam of shock-deadened pupils watched Dilwick uncomprehendingly. His lips were swollen things of lacerated skin, with slow trickles of blood making crooked paths from the corners of his mouth through the stubble of a beard to his chin, dripping onto a stained shirt.
Dilwick stood just outside the glare of the lamp, dangling like the Sword of Damocles over the guy's head. He was sweating too. His shirt clung to the meaty expanse of his huge neck. He pushed his beefy hand further into the leather glove and swung. The solid smack of his open hand on the little guy's jaw was nasty. His chair went over backward and his head cracked against the concrete floor of the room like a ripe melon. Dilwick put his hands on his hips and glared down at the caricature that once was human.

The two young men turned and they didn't smile because they were Woody Ballinger's two boys, Carl and Sammy, and for one brief instant, there was something in their faces that didn't belong in that atmosphere of joviality and the little move they instinctively made that shielded them behind the others in back of them was involuntary enough to stretch a tight-lipped grin across my face that told them I could know.
Could.
From away back out of the years I got that feeling across my shoulders and up my spine that said things were starting to smell right and if you kept pushing the walls would go down and you could charge in and take them all apart until there was nothing left but the dirt they were made of.

had the social instinct of a woman — that of being dependent upon a man. You were afraid,