Cinema takes me to another world. That world is authentic, real, and welcoming. Cinema doesn’t belong to the winner but to the loser/loner. The bliss… - Kim Bora

I wanted to produce something that would resonate strongly with the audience. When we showed it to the Korean audience, they said it was a good mix of both the personal and political aspects of that era.

Growing up as a woman in Korea was tough, but was also a gift at the same time. If I were a Korean man, or a white male in the States, I would not have been able to make this film. You got to experience complex human emotions because you were going through a lot of things.

From my understanding, there is already quite a lot of independent films with adolescent girls as protagonists. Women have been telling such stories all this time. Couldn’t it be that this period has become more visible as our society is changing? Most of the film markets all over the world are dominated by white men’s stories, and after them come white women, and then Asian men, in this order. Still, I think the reason other female directors are now getting noticed, like with House of Hummingbird, is that Korean society is finally ready to embrace women’s narratives. It might also be that it has finally come to people’s attention not for the particular narratives, but because we are at a special moment.