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" "Around 1950-51... I was finally getting away from the pictographs and looking for something... So it was necessary to find other forms, a different changed concept. So finally after a certain period of transition I hit on dividing the canvas into two parts, which then became like an imaginary landscape... What I was really trying to do when I got away from the pictographs was to make this notion of the kind of polarity clearer and more extreme. So the most extreme thing that I could think of doing at the time was dividing the canvas in half, make two big divisions and put something in the upper division and something in the lower section. So I painted that way... I would say roughly from 1952 to 56/57. About five years.
Adolph Gottlieb (March 14, 1903 – March 4, 1974) was an American abstract expressionist painter and sculptor.
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I wanted to do something figurative. Well I couldn’t visualize a whole man.. .I felt that I wanted to make a painting primarily with painterly means. So I flattened out my canvas and made them roughly rectangular divisions, with lines going out in four directions. That is, vertically and horizontally.. .And then I would free associate, putting whatever came to my mind freely within these different rectangles... I thought of it as related tot the automatic writing the surrealists were interested in.
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When I started doing the 'Bursts' [paintings Gottlieb started c. 1958] I began to do part of the painting horizontally. It was necessary to do that because I was working with a type of paint which had a particular viscosity, which flowed, and if it were on a vertical surface it would just run. If it were on a horizontal surface, I could control it... I was using a combination of brushes and knives, palette knives... and spatulas... I’ve tried everything, rollers, rags, I’ve put paint on with everything.