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" "Increasingly I suspected that this race, in spite of all its triumphs, was now living on the great ideas of its past, mouthing concepts that it no longer had the sensibility to understand, paying verbal homage to ideals which it could no longer sincerely will, and behaving within a system of institutions many of which could only be worked successfully by minds of a slightly finer temper.
William Olaf Stapledon (10 May 1886 – 6 September 1950) was a British philosopher and author of several influential works of science fiction. His best known, and what he considered as his best work, was Star Maker (1937), which included the first known description of a Dyson sphere. The Dyson sphere was later described by Freeman Dyson in the 1959 article "Search for Artificial Stellar Sources of Infra-Red Radiation" in Science, as one possible method of locating extraterrestrial intelligence.
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But the most lasting agony of this war was suffered, not by the defeated, but by the victors. For when their passion had cooled the Americans could not easily disguise from themselves that they had committed murder. They were not at heart a brutal folk, but rather a kindly. They liked to think of the world as a place of innocent pleasure-seeking, and of themselves as the main purveyors of delight. Yet they had been somehow drawn into this fantastic crime; and henceforth an all-pervading sense of collective guilt warped the American mind. They had ever been vainglorious and intolerant; but now these qualities in them became extravagant even to insanity. Both as individuals and collectively, they became increasingly frightened of criticism, increasingly prone to blame and hate, increasingly self-righteous, increasingly hostile to the critical intelligence, increasingly superstitious.
[S]o far as music ever had a "meaning" beyond the immediate and exquisite value of the sound-pattern itself, its "meaning" must be simply an emotional attitude. It could never speak directly about the objective world, or "the nature of existence"; but it might create a complex emotional attitude which might be appropriate to some feature of the objective world, or to the universe as a whole.
It seemed to me that I now saw the Star Maker in two aspects: as the spirit’s particular creative mood that had given rise to me, the cosmos; and also, most dreadfully, as something incomparably greater than creativity, namely as the eternally achieved perfection of the absolute spirit.
Barren, barren and trivial are these words. But not barren the experience.