When you stopped believing in God, did you stop believing in good and evil?" "No. But I stopped believing there was a power of good and a power of ev… - Philip Pullman

" "

When you stopped believing in God, did you stop believing in good and evil?"
"No. But I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone, or that's an evil one, because it hurts them. People are too complicated to have simple labels.

English
Collect this quote

About Philip Pullman

Philip Pullman CBE (born October 19, 1946) is an English writer. He is the best-selling author of His Dark Materials, a trilogy of fantasy novels, and a number of other books.

Biography information from Wikiquote

Also Known As

Alternative Names: Sir Philip Pullman Sir Philip Nicholas Outram Pullman
PREMIUM FEATURE
Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Philip Pullman

The fate of Susan Pevensie indicates some sort of crazed, deranged Manichaeism. Here’s a simple test: What is the greatest Christian virtue? Well, it’s charity, isn’t it? It's love. If somebody who knew nothing about Christian doctrine, and who had been told that Lewis was a great Christian teacher, read all the way through those books, would he get that message? No.

The act of true reading is in its very essence democratic. Consider the nature of what happens when we read a book - and I mean, of course, a work of literature, not an instruction manual or a textbook - in private, unsupervised, un-spied-on, alone. It isn't like a lecture: it's like a conversation. There's a back-and-forthness about it. The book proposes, the reader questions, the book responds, the reader considers. We bring our own preconceptions and expectations, our own intellectual qualities, and our limitations, too, our own previous experiences of reading, our own temperament, our own hopes and fears, our own personality to the encounter.

Creation, whether it's writing, painting or whatever, is essentially despotic and autocratic in nature, because it's the work of one mind and one mind alone which has absolute power of life or death over this sentence, or that phrase or whatever it is. It brooks no interference and can only work if it's the one mind doing it. Reading, on the other hand, interpretation, is inherently, intrinsically democratic, because it is fundamentally a process of negotiation between the mind and the text, between the expectations you bring to it and the satisfactions and disappointments you take away from it.

Loading...