..the wall, the window or the door — and so many other images that parade in my canvases — are indeed there and I am far from trying to hide the fact… - Antoni Tàpies

And in this sense [of using 'poor' material / arte povare] I've been influenced by or related to some Dadaist forerunner, Duchamp, Schwitters.. .But there are other aspects of the 'ascetic' function, of the 'sacralisation' of the world around us which I've referred to.. ..the 'supreme identity' of Samsara with Nirvana. The use of new materials, collage and assemblage, became quite widespread among some new artists of that time.

In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it’s a loss that has done a great deal of damage to modern art. Painting is a return to origins.

I would say off the cuff that I am an anxious person. I worry about everything. I need to know everything. I tend to live in a state of anxiety with the feeling that life is some kind of great catastrophe. I feel the desire, or rather the intense need, to do something useful for society, and that is what stimulates me. In every situation I always look for what is positive and beneficial for my fellow citizens. I am interested in study, reflection, philosophy — but always as a dilettante. I also consider myself a dilettante as a painter.