They, therefore, postulate that some time had elapsed since the actual invasion and conquest, and it was the close ancestors of the composers of the … - Shrikant G. Talageri

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They, therefore, postulate that some time had elapsed since the actual invasion and conquest, and it was the close ancestors of the composers of the hymns who had come from outside, and the composers themselves were already settled in the area. The invasion and conquest, they conclude, is not recorded in the Rigveda, since the composition of the hymns of the Rigveda commenced after the period of the actual invasion and conquest.

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About Shrikant G. Talageri

Shrikant Talageri, born in 1958, was educated in Mumbai where he lives and works. He has devoted several years, and much to study, to the theory of an Aryan invasion of India, and interpreted the Vedas with the help of the internal chronology of Rig vedic Rishes within Rig Veda with the help of genealogical records Anukramanis.

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All this can mean one of only two things: either the Anukramani ascriptions are genuine; or else they have been concocted with incredible efficiency and coordination: this would involve great skill not only in concocting ascriptions for new hymns, to make them fit into the pattern, but also in changing older Anukramani ascriptions where a descendant of a Rishi composer from a later (as per my chronology) Mandala figured as a composer in an earlier (as per my chronology) Mandala, and in extrapolating references from within the hymns of an earlier (as per my chronology) Mandala which referred to a Rishi composer from a later (as per my chronology) Mandala!

In keeping with a pattern which will be familiar to anyone studying the writings of supporters of the Aryan invasion theory, such unnatural or anomalous phenomena do not make these scholars rethink their theory; it only makes them try to think of ways to maintain their theory in the face of inconvenient facts.

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It is difficult to believe that Witzel is serious in his incredible assertions [about the Sarasvati river]... And when other verses do refer to a river of that name, this river may be “anywhere” from Arachosia to the “night time sky”: anything but the Haryana river – the sky is the limit! In his 1995 papers, he locates the Sarasvati in hymn 6.61 squarely in Kurukshetra in his “Geographical Data” (WITZEL 1995b: 343,349) as well as in his descriptions of Mandala 6: “W/NW, Panjab, Sarasvati, Ganga” (WITZEL 1995b: 318, 320). And nowhere in those papers does he suggest anything contrary!

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