Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No… - Caitlín R. Kiernan

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Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No, of course not. Art can even best the weights of utter fucking ignorance and totalitarian repression, but it cannot survive emotional constipation. I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.

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About Caitlín R. Kiernan

Caitlín Rebekah Kiernan (born 26 May 1964) is an Irish-born American author, paleontologist, and prolific blogger perhaps most famous for the novels The Drowning Girl: A Memoir and The Red Tree. Kiernan is a two-time recipient of both the World Fantasy and Bram Stoker awards.

Biography information from Wikiquote

Also Known As

Pen Names: Kathleen Tierney
Alternative Names: Caitlín Rebekah Kiernan Caitlin R. Kiernan Caitlin Rebekah Kiernan
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Additional quotes by Caitlín R. Kiernan

We are indeed living at the end of the Golden Age of Mankind, or at least the end of this particular human civilization. That almost everything we take for granted today may, only a couple of decades farther along, seem entirely remarkable, that our most mundane artefacts and toys will stand as incredible examples of luxury and excess. That all of this will pass away, and the "simplest" bits of our day-to-day lives will become miracles of a half-remembered past. A past which will be responsible for that future-present misery. It is difficult to force myself through the trivial routine of my days when these thoughts are front and center. It is difficult to see beyond the veil they draw up about me and difficult to push it all aside long enough to write my silly little stories.

There are many words and phrases that should be forever kept out of the hands of book reviewers. It's sad, but true. And one of these is "self-indulgent." And this is one of those things that strikes me very odd, like reviewers accusing an author of writing in a way that seems "artificial" or "self-conscious." It is, of course, a necessary prerequisite of fiction that one employ the artifice of language and that one exist in an intensely self-conscious state. Same with "self-indulgent." What could possibly be more self-indulgent than the act of writing fantastic fiction? The author is indulging her- or himself in the expression of the fantasy, and, likewise, the readers are indulging themselves in the luxury of someone else's fantasy. I've never written a story that wasn't self-indulgent. Neither has any other fantasy or sf author. We indulge our interests, our obsessions, and assume that someone out there will feel as passionately about X as we do.

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He caught a lucky break, got a tip from a CI, a schizophrenic who’s spent the last two decades creating a concordance for the Weekly World News, “the World’s Only Reliable News,” painstakingly cataloging and correlating everything from Jersey Devil sightings to Bat Boy, from Israeli mermaids to the discovery of an alien spacecraft at the bottom of the Baltic Sea.

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