True epics of course are few and historically well spaced, but that slightly more mundane ingredient, the speculative impulse, be it of Classic, Chri… - Roger Zelazny
" "True epics of course are few and historically well spaced, but that slightly more mundane ingredient, the speculative impulse, be it of Classic, Christian or Renaissance shading, which ornamented Western literature with romances, fables, exotic voyages and utopias, seemed to me basically the same turn of fancy exercised today in science fiction, working then with the only objects available to it. It took the Enlightenment, it took science, it took the industrial revolution to provide new sources of idea that, pushed, poked, inverted and rotated through higher spaces, resulted in science fiction. When the biggest, the most interesting ideas began emerging from science, rather than from theology or the exploration of new lands, hindsight makes it seem logical that something like science fiction had to be delivered.
About Roger Zelazny
Roger Joseph Zelazny (13 May 1937 – 14 June 1995) was an American writer of fantasy and science fiction short stories and novels. He won the Nebula award three times, with 14 nominations, and the Hugo award six times, also with 14 nominations, including two Hugos for novels: the serialized novel ...And Call Me Conrad (1965; subsequently published under the title This Immortal, 1966) and the novel Lord of Light (1967).
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Additional quotes by Roger Zelazny
Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.
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