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" "You were correct, for all men have within them both that which is dark and that which is light.
A man is a thing of many divisions, not a pure, clear flame such as you once were. His intellect often wars with his emotions, his will with his desires . . .
his ideals are at odds with his environment, and if he follows them, he knows keenly the loss of that
which was old, but if he does not follow them, he feels the pain of having forsaken a new and noble dream.
Whatever he does represents both a gain and a loss, an arrival and a departure. Always he mourns that
which is gone and fears some part of that which is new. Reason opposes tradition. Emotions oppose the
restrictions his fellow men lay upon him. Always, from the friction of these things, there arises the
thing you called the curse of man and mocked; guilt!
Roger Joseph Zelazny (13 May 1937 – 14 June 1995) was an American writer of fantasy and science fiction short stories and novels. He won the Nebula award three times, with 14 nominations, and the Hugo award six times, also with 14 nominations, including two Hugos for novels: the serialized novel ...And Call Me Conrad (1965; subsequently published under the title This Immortal, 1966) and the novel Lord of Light (1967).
Biography information from Wikiquote
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I got the idea for that story in May of 1979. I didn't know what it was going to be; I just thought it would be neat to write something about Jack the Ripper's dog, and ask Gahan Wilson to illustrate it, partly because of the fact that a dog is such an unusual person. No matter who owns a dog, if that person is nice to the animal, the dog is going to love him. I thought at the time, if you take a really despicable person, a serial killer or someone like that, and tell a story from his dog's point of view it would make him look pretty good.
I'd had a long talk with Bob Silverberg, who was very influential on my early career. He'd, out of the kindness of his heart, at a convention told me that he thought I'd made several mistakes in the way I was disposing of my stories. And I said, "I don't understand what you mean, but I'll be glad to buy you a few drinks, if you'll tell me about it". So we adjourned to the bar and sat there a couple of hours. He was drinking Bloody Marys back then; I was drinking Black Russians. And he told me all sorts of things which carried me over the next several years; it was a lot of information for a couple of drinks. He told me that the first thing I should do if I wanted to write full-time was to get a really good agent. He said that after a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.
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Reality is approximately as dependable as a politician’s promise... the result is the same: Reality, of the capital “R” variety, has become as relative a thing as the dryness of our respective Martinis. Yet the struggle goes on, the fight continues. Against what? Ultimately, Powers, Principalities, Thrones, and Dominations, often contained in hosts who are themselves victims, prisoners, manipulated men and women.