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" "All my soul is slowly melting, all my brain is softening fast,
And I know that I'll be taken to the Yarr bend at last.
For at night from fitful slumbers I awaken with a start,
Murmuring of steak and onions, babbling of apple-tart.
While to me the Poet's cloudland a gigantic kitchen seems,
And those mislaid table-napkins haunt me even in my dreams
Is this right? — Ye sages tell me! — Does a man live but to eat?
Is there nothing worth enjoying but one's miserable meat?
Is the mightiest task of genius but to swallow buttered beans,
And has man but been created to demolish pork and greens?
Is there no unfed Hereafter, where the round of chewing stops?
Is the atmosphere of heaven clammy with perpetual chops?
Marcus Andrew Hislop Clarke FRSA (24 April 1846 – 2 August 1881) was an English-born Australian novelist, journalist, poet, editor, librarian, and playwright. He is best known for his 1874 novel , about the convict system in Australia, and widely regarded as a classic of Australian literature. It has been adapted into many plays, films and a folk opera.
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As he sat there gloomily chewing, he was a spectacle to shudder at. Not so much on account of his natural hideousness, increased a thousand-fold by the tattered and filthy rags which barely covered him. Not so much on account of his unshaven jaws, his hare-lip, his torn and bleeding feet, his haggard cheeks, and his huge, wasted frame. Not only because, looking at the animal, as he crouched, with one foot curled round the other, and one hairy arm pendant between his knees, he was so horribly unhuman, that one shuddered to think that tender women and fair children must, of necessity, confess to fellowship of kind with such a monster. But also because, in his slavering mouth, his slowly grinding jaws, his restless fingers, and his bloodshot, wandering eyes, there lurked a hint of some terror more awful than the terror of starvation—a memory of a tragedy played out in the gloomy depths of that forest which had vomited him forth again; and the shadow of this unknown horror, clinging to him, repelled and disgusted, as though he bore about with him the reek of the shambles.
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