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" "It's almost as if art, in painting and music and stuff, is the leftover of some activity. The activity is the thing that I'm most interested in. Nearly everything that I've done was to see what would happen if I did this instead of that.
Milton Ernest "Robert" Rauschenberg (January 22, 1925 – May 12, 2008) was an American artist who came to prominence in the 1950's. His work is regarded as a transition from Abstract Expressionism to the media-saturated surfaces of Pop art, together with the art of Jasper Johns; both lived and worked for years in the same studio in New York and discussed their art frequently; they were deeply influenced by the ideas of John Cage and involved with choreograph Merce Cunningham.
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I didn't even know that there was art until I left Texas when I was eighteen. The only painting I knew (and I didn't know it was a 'painting' until much later) was 'Hope' [of George Frederic Watts, 1886] the woman sitting on the globe with.. .that green [of the painting 'Hope'] you only get in reproductions]! I think that negates the idea of a painter's relation to official – old master art. It was neutral ground – that one picture – I responded to visual things.. .'Hope' was just sort of visual thing there, not art.
1948 Black Mountain College N.C. Disciplined by Albers. Learned photography. Worked hard but poorly for Albers. Made contact with music and modern dance. Felt too isolated, Sue [Weil, they married soon, then] and I moved to NYC. Went to Art Students League. Vytlacil & Kantor. Best work made at home. Wht. Painting with no.'s best example. Summer 1950, Outer Island Conn. Married Sue Weil. Christoher (son) Born July 16, 1951 in NYC. First one man show Betty Parsons's