I am only able to do what stirs me. I want to perceive with my senses things which at the moment are not generally perceived. I do not share, as yet,… - Anselm Kiefer

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I am only able to do what stirs me. I want to perceive with my senses things which at the moment are not generally perceived. I do not share, as yet, Beuys' consciousness or hope that all people are moving to a certain point where they all become artists. I am of the opinion that there are artists and non-artists. I think that this is the way it always was and always will be. I do not believe that we are in the center of the world. It is possible that there are gods who do not relate to human. As an artist, I believe that it is possible to depict these forces. I know it sounds absurd when I say that man can perceive some things and adumbrate powers, which do not relate to him. But perhaps the artist, unlike the non-artist, is able to do just that.

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About Anselm Kiefer

Anselm Kiefer (born March 8, 1945) is a German painter and sculptor. He studied with Joseph Beuys during the 1970s. His works incorporate materials like straw, ash, clay, lead and shellac. His body of work argues with the past and addresses taboo and controversial issues from recent history, such as themes from Nazi rule.

Also Known As

Alternative Names: Anselm Keifer Anselm Karl Albert Kiefer Kiefer A. Kiefer Kiefer, Anselm Karl Albert
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[referring to his painting 'Everyone Stands under His Own Dome of Heaven' (1971): It is a man in his own universe. It [the painting] was a quotation of, taken out of Robert Musil's novel 'Der Mann ohne Eigenschaften'; how do you translate it in English? 'The Man without qualities', I think – the most important book of the 20th century I would say. So this is a quotation: Jeder Mensch soll nach seine Himmel gucken.. .. I meant there is no objective truth. So as I discovered later, there is no objective history. There is no history; each human being made its own history – has his own thoughts and his own world. And sometimes two domes touch each other, or cross each other, but everyone is alone with its own illusions and methods..

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Perspective and Impressionism were tentative attempts to deal with the world of appearance because of a fear to look inside. Cubism is structure and order. Now both epidermis and order are no longer possible.. ..The accidental aspects of Impressionist composition are to be understood as a reaction. And the reaction of Cézanne is to be seen as a response to Impressionism. One cannot simply disregard Impressionism. As a dialectic antithesis it was important. The Impressionists had the idea of dissolution; they wanted to represent light, not bodies and not shadows, but light for itself. Frequently I find this tedious, but there is an idea behind it: Atomization is a modern idea..

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