Cubism is not a manner but an aesthetic, and even a state of mind; it is therefore inevitably connected with every manifestation of contemporary thou… - Juan Gris

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Cubism is not a manner but an aesthetic, and even a state of mind; it is therefore inevitably connected with every manifestation of contemporary thought. It is possible to invent a technique or a manner independently, but one cannot invent the whole complexity of a state of mind.

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About Juan Gris

José Victoriano Carmelo Carlos González-Pérez (March 23, 1887 – May 11, 1927)), better known as Juan Gris, was a Spanish painter who lived and worked in France almost all of his life. His works are closely connected to the emergence of Cubism.

Biography information from Wikiquote

Also Known As

Alternative Names: José Victoriano Carmelo Carlos González-Pérez Juan Gris José Victoriano González Pérez José Victoriano Carmelo Carlos González Pérez José Victoriano González Pérez José Victoriano González José Vittoriano González Juan-José Victoriano González Gris Joan Gris José Victoriano Gonzalez José Vittoriano Gonzales José Gonzales José Victoriano Gonzáles Pérez José Victoriano Gonzalez-Perez Juan Gris José Victoriano Gonzalez Pérez José Victoriano Carmelo Carlos Gonzalez Pérez José Victoriano Gonzalez Pérez José Vittoriano Gonzalez Juan-José Victoriano Gonzalez Gris José Victoriano Gonzales Pérez Gris José Victoriano Carmelo Carlos Gonzalez-Perez José Victoriano González-Pérez
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Additional quotes by Juan Gris

Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist.<p>A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation.

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No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.

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