Most of the people who do this kind of work, do it out of love, like the love you'd show to an ailing friend. (2004) Popimage interview - Grant Morrison

I use media exposure as a means of playing with multiple personalities. Each interview is a different me and they're all untrustworthy (2000)

People say kids can't understand the difference between fact and fiction, but that's bullshit. Kids understand that real crabs don't sing like the ones in The Little Mermaid. But you give an adult fiction, and the adult starts asking really fucking dumb questions like 'How does Superman fly? How do those eyebeams work? Who pumps the Batmobile’s tires? It's a fucking made-up story, you idiot! Nobody pumps the tires! Grant Morrison: Psychedelic Superhero, 2011

Otherwise, I know I’m often wasting my breath and electronic ink saying this, but the “real-world” is a pretty weird place where lots of inexplicable things happen all the time, and I like to catch the flavor of that too. It just seems more modern and authentic to me as a storyteller. The “real world” doesn’t come with the neat three-act structures and resolutions we love to impose on it, and if repeated doses of movie and TV-storytelling have convinced anyone that it does, it‘s time to get out and about a bit. The real world is filled with ghost stories, non sequiturs, inexplicable mysteries, dead ends and absurdities, and I think it’s cool to season our comfortable fictions with at least a little taste of what actual reality is like.