Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figu… - Henri Fantin-Latour

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Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figures all that seems very, very well done[,] on opening the letter it struck me immediately, an impression of decorative ornamentation which makes a good picture appeal to the eye as well - upside down and any other way up. Arrangement, layout, composition. etc - mysterious words harmonious laws - in no way conventional - needs of the Artist glory of the Raphael's Michelangelo's etc etc - for me a repetition a hesitation, a matter of feeling - which should also be a law, a mathematical thing, like form, like light, colour[.] I find similarities with the colour method which works by opposing colours to arrive at a harmony that is to say to make a canvas a complete whole, to put into a small space an image with all the forces all the principles of nature - [instead of showing a part of it]..

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About Henri Fantin-Latour

Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer, best known for his flower still-life paintings and group portraits of Parisian artists and writers.

Also Known As

Alternative Names: Ignace-Henri-Jean-Théodore Fantin-Latour Ignace Henri Jean Theodore Fantin-Latour Ignace Henri Fantin-Latour Henri Fantin Fantin Fantin-Latour Fantin Latour J.-H. Fantin-Latour Henri-Jean-Theodore Fantin-Latour Henri-Théodore Fantin-Latour Henri Fantin Latour Henri Fantin- Latour h.j.t. fantin latour Ignace Henri J. Th. Fantin-Latour fantin latour h.j.t. fantin latour H. Fantin-Latour Ignace-Henri-Jean-Theodore Fantin-Latour henri fantin latour H. Fantin Latour h.j.t.f. latour I. H. J. Th. Fantin-Latour Ignace-Henri Jean Theodore Fantin-Latour J. Th. fantin-latour fantin latour henri Ignace Henri Jean Théodore Fantin-Latour Henry Fantin-Latour
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I do not understand your silence you know all the same how interested I always am in what you are doing. you also know that there are not many of us who understand each other we have always got on well together. I have seen and I see every day how little people like us[.] Between ourselves there are things we cannot say to others.. ..you cannot imagine how little I find myself in sympathy with other people.. ..- I do not want to lose another day, one hour this year I have no hope I have lost it and you know how unlike me that is. at the moment I have several studies to do at the Louvre order[s] which are going to bring me many others [p. 2] as soon as this time has passed I want to do two large pictures for the Salon[.] I think of nothing else.. .I am becoming more and more the Fantin of the old days you know here I am today but neither discouraged nor bored. I have my own views now nothing can distract me..

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I see Legros less often sometimes at Andler's as little as possible it means I get to bed late and I am short of funds, it is very pleasant nonetheless Courbet is so charming, Legros often goes there they get on very well he has some superb articles in the figaro. in the gazette des Beaux Arts.. ..then he will have one in the courrier du Commerce those are the ones I know about. success, women, good food, wine, beer, new acquaintances as a result of these articles, in short an accolade !!!!!!!!.. ..success can be harmful, it makes you relax, you sit on it and are distracted.. ..you alone should correct the faults, you know what I think of advice, correction. the gifted man should walk alone, straight to his goal, what happens is nothing, rejection, success, selling pleasing, all that is nonsense.

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