You must remind me, little one. When I... when I lose myself - when I lose her - you must remind me that I am still searching, still waiting... that … - Peter S. Beagle

Sure, she loves him. But they've got two different ideas of love. He wants to dance with her on a terrace with a full moon and a thirty-six-piece orchestra; he wants to go singing through storms with her, like Gene Kelly. She knows about thirty-six-piece orchestras. You have to feed them, and then there's nothing left for the children.

But what I thought, and what I still think, and always will, is that she saw me. Nobody else has ever seen me — me, Jenny Gluckstein — like that. Not my parents, not Julian, not even Meena. Love is one thing — recognition is something else.

…but to the unicorn’s eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old - no older than Schmendrick, surely, despite the magician’s birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard’s realm on bare, blistered feet, and she sang often.
And far away on the other side of the unicorn, Schmendrick the Magician stalked in silence. His black cloak was sprouting holes, coming undone, and so was he. The rain that renewed Molly did not fall on him, and he seemed ever more parched and deserted, like the land itself. The unicorn could not heal him. A touch of her horn could have brought him back from death, but over despair she had no power, nor over magic that had come and gone.