I've just finished a (for me) very important book about the parents (Louis Martin and Zélie Martin) of the Little Flower..It confirms my thesis 100 p… - Ida Friederike Görres

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I've just finished a (for me) very important book about the parents (Louis Martin and Zélie Martin) of the Little Flower..It confirms my thesis 100 per cent: that everything claimed by her super-heralds as her direct inspiration, her unique originality, in fact stemmed from inheritance, upbringing and repetition...Most interesting for me is the recognition how alien and remote this bourgeois piety of the late nineteenth century has become, even for cultivated contemporary Catholic writers - a veritable terra incognita; otherwise this so wide-spread legend of Thérèse's uniqueness could never have grown up.

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About Ida Friederike Görres

Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.

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Additional quotes by Ida Friederike Görres

That wild Irish novel (Blackcock's Feather, Maurice Walsh), a wonderful Elizabethan cloak and dagger story, has started me spinning again, those same old threads; the link between begetting and killing, i.e. that sex and death must both be phenomena of fallen Creation...Another odd parallel; the very men who haven't the courage to beget children, to accept fatherhood, are likely to be pacifists on principle, and opponents of the death penalty. What was it that old Afghan, Mahbud Ali, said to Kim: "When I was fifteen I had shot my man and begot my man!"..as representative of God and Christ glorified, consecrated to him, he [the priest] is absolved from these characteristics of fallen humanity, dispensed, raised above them - neither for ascetic reasons, nor on human grounds, but simply because these are the symbols of the Adamite order.

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Yet again - visible and invisible. The panic of loneliness - not physical, far more moral - arises from the fact that every lonely person is wearing a tarnkappe , a magic hood, (in German fairy tales, a magic cap which makes the wearer invisible) against his will: which is tantamount to saying: "If people don't bother about me, it's because nobody is seeing me - seeing me. I'm just a piece of furniture in their eyes." … Newcomers in a strange world suffer this fate especially, what's more in a doubly unpleasant way: first because no one takes any notice of them since they don't belong, i.e. they're nobodies, yet at the same time they're conspicuous, in the way, a nuisance, desperately conscious of being just awkward lumps of furniture.

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