"The first stage, the primary stage, is represented by the familiar "Hindu-Muslim-Isai" syndrome. According to this, the Arabic-West-Asian culture of… - Shrikant G. Talageri

"The first stage, the primary stage, is represented by the familiar "Hindu-Muslim-Isai" syndrome. According to this, the Arabic-West-Asian culture of Islam, the Palestinian-European culture of Christianity, and the Indian culture of Hinduism, represent the three components of our "composite" Indian culture. (The introduction of the "Sikh" as a fourth angle to this triangle, was a side-development, intended to firmly separate Sikhs from other Hindus, and bring them closer to Muslims. That this part of the conspiracy has been a roaring success needs no elaboration here)….
The "Amar-Akbar-Anthony" brand of film propaganda has always been an indispensable feature of our Film industry. It has served to highlight this "composite" culture, by presenting stereotypes of blatantly West-Asianized Muslims and blatantly Europeanized Christians, insisting all the time on the "Indianness" of these stereotypes….
In this second stage, the "Amar" aspect of the "composite" culture is slowly diluted and downgraded, and the "Akbar" aspect is glorified and upgraded; hence, the propaganda must, necessarily, be more subtle than the "Amar-Akbar-Anthony" brand of propaganda.
When two persons meet, in a Hindi film, and one is a Hindu and the other a Muslim, they do not greet one another with namaste or Ram Ram: nor does one say namaste and the other assalam 'aleykum (nor in fact, do they refrain altogether from formal greetings); both greet each other with adab arz hai or assalam 'aleykum. When a Hindu, in a Hindi film, is faced with some great affliction, he starts doing the rounds, turn by turn, of a temple, a mosque, and a church, but a Muslim or Christian is never shown finding it necessary to approach other shrines. These are just two of many examples—each subtle by itself, perhaps not even consciously noticed in spite of their repeated occurrence—which, in the cumulative effect, serve to create the intended psychological environment.
The entertainment media have played no mean role in carrying on this brand of propaganda. The calculated glorification of Urdu, of Lucknow tehzib, of the Mughals, of gazals and qawwalis, etc., and the subtle ridicule of Sanskritized Hindi, has been a basic feature of the Hindi film industry…
The third stage is the final stage. This is the highest and most refined stage of all. At this stage, every aspect of India's mainstream culture, which existed in India prior to the arrival of Islamic culture from West Asia, represents "communalism".
Thus, it is perfectly secular for Indian politicians to don fez caps, visit mosques, perform namāz to clicking cameras, etc. But it is "communal", for them to visit temples, or bow down before Hindu holy men, or to wave ārtīs or break coconuts while inaugurating a function, since the customs of visiting temples, bowing before holy men, waving ārtīs, and breaking coconuts, all existed in India before the arrival of Islam from West Asia.
This last, and ultimate stage of "secularism" and "national integration based on a composite culture", can be fully comprehended only by the ideologically most advanced sections of Indians — the Leftists.