Well, now I can make some highways, maybe. Well, now I can set out to do it and maybe it will be a painting of something else. Because if you know th… - Willem de Kooning

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Well, now I can make some highways, maybe. Well, now I can set out to do it and maybe it will be a painting of something else. Because if you know the measure of something, for yourself.. .There's is no absolute measure that you can identify yourself. You can find the size of something . You say, now ,that's just this length, and immediately with that length you can paint, well, a cat maybe. If you understand one thing, you can use it for something else. Well, that is the way I work.. .I get hold of a certain thing of area or measure or size and then I can use it. I mean, I have an attitude. I have to have an attitude.

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About Willem de Kooning

Willem de Kooning (24 April 1904 – 19 March 1997) was an abstract expressionist painter, born in Rotterdam, Netherlands, who settled in the United States. Along with Jackson Pollock, and others, he was an exponent of Abstract expressionism. Initially, he was strongly influenced by Picasso, Cubism, and Chaim Soutine. He was married with Elaine de Kooning and closely befriended with Arshile Gorky; later with Franz Kline.

Also Known As

Alternative Names: Willem De Kooning Willem DeKooning William de Kooning Willem Dekooning willem de kooning W. de Kooning

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Additional quotes by Willem de Kooning

Personally, I do not need a movement. What was given to me, I take for granted. Of all movements, I like Cubism most. It had that wonderful unsure atmosphere of reflection - a poetic frame where something could be possible, where an artist could practise [sic] his intuition. It didn't want to get rid of what went before. Instead it added something to it. The parts that I can appreciate in other [art] movements came out of Cubism. Cubism became a movement, it didn't set out to be one. It has force in it, but it was no 'force-movement.' And then there is that one-man movement, Marcel Duchamp - for me a truly modern movement because it implies that each artist can do what he thinks he ought to - a movement for each person and open for everybody.

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