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" "خیام فیلسوف ایرانی چنین می گوید
از دو خال خارج نيست يا خدا قبلا ميداند كه من چه خواهم كرد و يا نميداند.اگر نميداند كه دراين صورت خدا نيست و در صورتيكه ميداند چگونه انتظار دارد كه من كاری بر خلاف دانايی او بكنم و با رعايت اين دو نكته چگونه مرا بعد از مرگ مسئول نموده و كيفر خواهد داد.
Count Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949) was a Belgian poet, playwright, and essayist who wrote in French, most famous for his work L'Oiseau Bleu (The Blue Bird), and for other works exploring the meaning of life and death. He was awarded the Nobel Prize in Literature in 1911.
Biography information from Wikiquote
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We cannot take leave of the aquatic plants without briefly mentioning the life of the most romantic of them all: the legendary Vallisneria, an Hydrocharad whose nuptials form the most tragic episode in the love-history of the flowers. The Vallisneria is a rather insignificant herb, possessing none of the strange grace of the Water-lily or of certain submersed comas. But it seems as though nature had delighted in giving it a beautiful idea. The whole existence of the little plant is spent at the bottom of the water, in a sort of half-slumber, until the moment of the wedding-hour in which it aspires to a new life. Then the female flower slowly uncoils the long spiral of its peduncle, rises, emerges and floats and blossoms on the surface of the pond. From a neighbouring stem, the male flowers, which see it through the sunlit water, soar in their turn, full of hope, towards the one that rocks, that awaits them, that calls them to a magic world. But, when they have come half-way, they feel themselves suddenly held back: their stalk, the very source of their life, is too short; they will never reach the abode of light, the only spot in which the union of the stamens and the pistil can be achieved! .
There are other herbs endowed with spontaneous movements that are not so well known, notably the Hedysareæ, among which the Hedysarum gyrans, or Moving-plant, acts in a very restless and surprising fashion. This little Leguminosa, which is a native of Bengal, but often cultivated in our hothouses, performs a sort of perpetual and intricate dance in honour of the light. Its leaves are divided into three folioles, one wide and terminal, the two others narrow and planted at the base of the first. Each of these leaflets is animated with a different movement of its own. They live in a state of rhythmical, almost chronometrical and continuous agitation. They are so sensitive
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