Been reading Hardy's Return of the Native. Astonishing how moral standards have shifted over the past hundred years:shifted isn't the word - a landsl… - Ida Friederike Görres

A happy childhood means - or ought to mean - that one's first experience of the world is a true experience - not yet comprehensive, of course, yet comprehending the prime reality, so that it becomes an experience of an essential order which thenceforward will serve as a basis of comparison, in whose light all future falsification, all disorder, will be recognised as wrong and invalid. A happy childhood means above all a loved child. Because Thérèse was a happy child, her beginnings could contain perfection. Because she was a loved child, she received from the beginning the knowledge that others must struggle towards so consciously, with such difficulty, by painfully strenuous detours: the simple truth that to so many of us seems the most incredible and amazing lesson of religion: that we can be loved without having deserved it: that grace comes first..It is bliss simply to be someone's child, a child of a father, of a mother, living, moving and having its being in a love which is unmerited, unmeritable , anticipatory, unconditional and immutable. On this basic mystery and reality Thérèse's childhood was built. This was the source of her subsequent doctrine of the way of spiritual childhood.

Trochu's Vianney book makes me shudder. Positively frightening - and the saint too. The first time I read it I was quite horrified...Actually he is a second Simeon Stylites - and how hard and stern he is - and not only against himself: he would excommunicate his parishioners if they even once went dancing or drinking - like the most rigorous Puritan..For him sin involved personal, direct single combat with Satan...But there's no glove to Vianney's peasant fist. He's really gruesome.

Legenda Aurea. To think that there's no Catholic edition of this most Catholic book!...Richard Benz sees it as epic and myth of the Middle Ages, exact parallel to the Gothic cathedrals. Sunk into oblivion with the epoch, rediscovered through the history of art, in the countless painters inspired by the Legend. Wonderful, costly and beautiful - but belonging utterly to the past, monument, museum: venerable, interesting , imposing - tout à fait passé.