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"But a man may then imagine in your work what he pleases, what you never meant!" Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own.
George MacDonald (December 10, 1824 – September 18, 1905) was a Scottish author and Christian universalist minister most famous for his poetry, fairy tales and fantasy novels.
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I knew now, that it is by loving, and not by being loved, that one can come nearest the soul of another; yea, that, where two love, it is the loving of each other, and not the being loved by each other, that originates and perfects and assures their blessedness. I knew that love gives to him that loveth, power over any soul beloved, even if that soul know him not, bringing him inwardly close to that spirit; a power that cannot be but for good; for in proportion as selfishness intrudes, the love ceases, and the power which springs therefrom dies. Yet all love will, one day, meet with its return. All true love will, one day, behold its own image in the eyes of the beloved, and be humbly glad. This is possible in the realms of lofty Death.
I think the reason children get tired of their toys so soon is just that it is against human nature to be really interested in what is of no use. If you say that a beautiful thing is always interesting, I answer, that a beautiful thing is of the highest use. Is not the diamond that flashes all its colours into the heart of a poet as useful as the diamond with which the glazier divides the sheets of glass into panes for our windows?
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"Is it not a strange drift this of men," said the curate, "to hide what is under the veil of what is not? to seek refuge in lies, as if that which is not, could be an armor of adamant? to run from the daylight for safety, deeper into the cave? In the cave house the creatures of the night, — the tigers and hyenas, the serpent and the old dragon of the dark; in the light are true men and women, and the clear-eyed angels. But the reason is only too plain; it is, alas! that they are themselves of the darkness and not of the light. They do not fear their own. They are more comfortable with the beasts of darkness than with the angels of light. They dread the peering of holy eyes into their hearts; they feel themselves naked and fear to be shamed, therefore cast the garment of hypocrisy about them. They have that in them so strange to the light that they feel it must be hidden from the eye of day, as a thing hideous, that is, a thing to be hidden. But the hypocrisy is worse than all it would hide. That they have to hide again, as a more hideous thing still.