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" "To present universal Nature as the deep in which each soul with its moral hopes is to be engulfed, is to transform existence into a system of radical and irremediable evil, and thus to make genuine religion impossible;
George Holmes Howison (29 November 1834 – 31 December 1916) was an American philosopher, who established the philosophy department at the University of California, Berkeley and held the position there of Mills Professor of Intellectual and Moral Philosophy and Civil Polity.He also founded the Philosophical Union, one of the oldest philosophical organizations in the United States. Howison’s philosophy is set forth almost entirely in his volume entitled, The Limits of Evolution, and other essays, illustrating the metaphysical theory of personal idealism. Scrutinizing the idea of evolution that had come to the fore, he proved not only that no Person can be wholly “the product of ‘continuous creation’”, evolution, but went on also to show that, rooted in the very same (a priori) reason, fulfilled philosophy necessarily ends in the “Vision Beatific”, “that universal circle of spirits which, since the time of the stoics, has so pertinently been called the City of God”. Friends and former students of Howison established the Howison Lectures in Philosophy in 1919. Over the years, the lecture series has included talks by distinguished philosophers such as Michel Foucault and Noam Chomsky.
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Love, too, now has its adequate definition: it is the all-directing intelligence which includes in its recognition a world of beings accorded free and seen as sacred, — the primary and supreme act of intelligence, which is the source of all other intelligence, and whose object is that universal circle of spirits which, since the time of the Stoics, has so pertinently been called the City of God. Its contemplation of this sole object proper to it was fitly named by Dante and the great scholastics the Vision Beatific.
That is, art is not the cancelling of the actual and imperfect, and the putting in its place of a vague and fanciful perfection that is only an illusory abstraction after all; it is the transfiguring of the actual by the ideal that is actually immanent in it. The actual hides in itself an ideal that is its true reality and destination, and this hidden ideal it is the function of art to reveal.
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In the place, then, of death's ending us, — death, but one item in the being of the natural world, the whole of which is conditioned upon our central self-consciousness,—we arrive at the settled and logically immovable conception that we are ourselves the changeless ground of that transition in experience into which death thus gets interpreted.