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At the most elemental level, reality evanesces into something called Schröedinger's Wave Function: a mathematical abstraction which is best represent… - Rudy Rucker
" "At the most elemental level, reality evanesces into something called Schröedinger's Wave Function: a mathematical abstraction which is best represented as a pattern in an infinite-dimensional space, Hilbert Space. Each point of the Hilbert Space represents a possible state of affairs. The wave function for some one physical or mental system takes the form of, let us say, a coloring in of Hilbert Space. The brightly colored parts represent likely states for the system, the dim parts represent less probable states of affairs.
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About Rudy Rucker
Rudolf von Bitter Rucker (born 22 March 1946) is an American mathematician, computer scientist, science fiction author, and philosopher, and is one of the founders of the cyberpunk literary movement. The author of both fiction and non-fiction, he is most famous for the novels in the Ware Tetralogy, the first two of which (Software and Wetware) both won Philip K. Dick Awards. At present he edits the science fiction webzine Flurb.
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Rudolf v. B. Rucker
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Rudolf von Bitter Rucker
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Additional quotes by Rudy Rucker
In more familiar terms, it is not hard to prove that God is infinite ... but what if you don’t believe that God exists? It may seem hard to doubt that the more impersonal Absolutes–such as “everything,” or the Mindscape–exist, but there are those who do doubt this. The issue under consideration is a version of the old philosophical problem of the One and the Many. What is being asked is whether the cosmos exists as an organic One, or merely as a Many with no essential coherence.
It is certainly true that the Mindscape, for instance, does not exist as a single rational thought. For if the Mindscape is a One, then it is a member of itself, and thus can only be known through a flash of mystical vision. No rational thought is a member of itself, so no rational thought could tie the Mindscape into a One.
But after a while, some higher brain-center cut in, and I began being mentally able to fit the wildly changing scenery into a coherent four-dimensional whole. The process was really no more devious than the process by which one integrates the two hundred lines of a TV screen into a single two-dimensional image . . . which in turn is interpreted as a three-dimensional scene. It's just a matter of processing information. Impossible? I saw.
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