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" "I was working with the poems as visual imagery, how it impacts the reader on paper and how it can be read in different directions with various layers of meaning, reflecting the many-sidedness, the enigma that an individual is. I think, often times, the poem decides how it wants to take life. Sometimes, you try to develop it in a certain direction and you see that’s not working, so you just let it be.
Toyin Adewale-Gabriel (born 1969) is a Nigerian writer. She writes poetry and has worked as a literary critic for The Guardian, Post Express and The Daily Times. Adewale-Gabriel writes in both English and in German. Born in Ibadan, Nigeria, Toyin received her M.A. Lit. degree from Obafemi Awolowo University. She was the co-founder and coordinator for several years of the Association of Writers of Nigeria
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I started out writing poetry and it’s the bedrock on which my work rests. So yes, my primary identity will always be hinged on that. For prose, you need to do more research. Obviously, it’s not as spontaneous as poetry can be, at least for me. You need to do character development, get their voices right, immerse yourself in the context of the story, invoke the atmosphere and engage the reader to stay with you. A writer needs to be well read. Alertness and an eye for detail are essential in your toolkit.
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I do not see how it is possible to live in Nigeria or be Nigerian and write art for art’s sake. I think a poet should be the voice of her society. It has been so from ancient times. Contemporary Nigerian poetry still reflects the pulse of the society, the disappointment with our poor leadership and a voice for the common man. There is a lot more innovation now, the use of multimedia, fusing music and drama, a marriage of the arts. Admirable efforts to actually make a living from writing.