I was working with the poems as visual imagery, how it impacts the reader on paper and how it can be read in different directions with various layers… - Toyin Adewale-Gabriel

People are always looking for labels, boxes, compartments, a so-called easier way of dissecting what you write and I think in that process, they miss out on the real wealth of engaging your imagination. Having said that, I am a woman who is writing from my varied experiences (as a citizen of the world, Nigerian, daughter, sister, mother, wife, and mentor) and those of other women in my society. I see myself as a voice for woman, child and man. I advocate for woman rights and human rights. I am not inferior to anyone and I never hesitate to take my place. How does that describe me?

I started out writing poetry and it’s the bedrock on which my work rests. So yes, my primary identity will always be hinged on that. For prose, you need to do more research. Obviously, it’s not as spontaneous as poetry can be, at least for me. You need to do character development, get their voices right, immerse yourself in the context of the story, invoke the atmosphere and engage the reader to stay with you. A writer needs to be well read. Alertness and an eye for detail are essential in your toolkit.

Song of a first born daughter to the beats of gangan.
I am the first fruit of your loins.
Seasoned with grace.
Seasoned with salt.
I stride to drumbeats.
Flywhisks attend my hands.
Like anklets of brass, joy encircles.
I am the consolation,
born for the day of affliction.
I am the vigour,
the virgin seed,
roosting under coverlets of aso-oke.
Down the winding road, I nurture the handkerchiefs
for champions who cry...
Behold the daughter,
your blessed harvest.
Your basket of plump yams.
Your scented one.