Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
" "So, how many generations of Indebted need to suffer – even as the civilized trappings multiply and abound on all sides, with an ever-increasing proportion of those material follies out of their financial reach? How many, before we all collectively stop and say, “Aaii! That’s enough! No more suffering, please! No more hunger, no more war, no more inequity!” Well, as far as I can see, there are never enough generations. We just scrabble on, and on, devouring all within reach, including our own kind, as if it was nothing more than the undeniable expression of some natural law, and as such subject to no moral context, no ethical constraint – despite the ubiquitous and disingenuous blathering over-invocation of those two grand notions.
Steven Erikson (born 7 October 1959) is the pseudonym of Steve Rune Lundin, a Canadian archaeologist, anthropologist and novelist.
Biography information from Wikiquote
Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
"And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing.
And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime.
Show me a god that does not demand mortal suffering.
Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them.
Show me a god who understands the meaning of peace. In life, not in death.
Show —
'Stop,' Gesler said in a grating voice.
Blinking, Fiddler lowered the instrument. 'What?'
'You cannot end with such anger, Fid. Please.'
Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination.
Dear creature, do you now curse an indifferent god?
'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began.
Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken.
The four men laughed.
Then fell silent once more."
We are contrary creatures, us humans, but that isn't something we need be afraid of, or even much troubled by. And if you make a list of those people who worship consistency, you'll find they're one and all tyrants or would-be tyrants. Ruling over thousands, or over a husband or a wife, or some cowering child. Never fear contradiction, Cutter, it is the very heart of diversity.