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" "The cultural invasion is like a leafy tree which prevents us from seeing our own sun, sky and stars. Therefore in order to be able to see the sky above our heads, our task is to cut this tree off at the roots. US imperialism understands very well the magic of communication through music and persists in filling our young people with all sorts of commercial tripe. With professional expertise they have taken certain measures: first, the commercialization of the so-called ‘protest music’; second, the creation of ‘idols’ of protest music who obey the same rules and suffer from the same constraints as the other idols of the consumer music industry – they last a little while and then disappear. Meanwhile they are useful in neutralizing the innate spirit of rebellion of young people. The term ‘protest song’ is no longer valid because it is ambiguous and has been misused. I prefer the term ‘revolutionary song’.
Víctor Jara Martínez (September 28, 1932 – September 15, 1973) was a Chilean singer-songwriter, theatre director, pedagogue and political activist. He played a pivotal role in the folkloric renaissance that led to the Nueva Cancion Chilena [NCC] (New Chilean Song) movement - which created a revolution in the popular music of his country.
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