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Contact with other artists has always been of great importance to me. When the artists I know best used to meet.. ..the talk was mostly of ideas in p… - William Baziotes
" "Contact with other artists has always been of great importance to me. When the artists I know best used to meet.. ..the talk was mostly of ideas in painting. There was an unconscious collaboration between artists. Whether you agreed or disagreed was of no consequence. It was exciting and you were compelled to paint over your head... .If your painting was criticized adversely, you either imitated someone to give it importance, or you simply suffered and painted harder to make your feelings on canvas convincing.. .What does happen when artists meet is that we are able to see more clearly the unfolding of character as time goes on.
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About William Baziotes
William Baziotes (June 11, 1912 – June 6, 1963) was an American painter influenced by Surrealism and was a contributor to Abstract Expressionism. He participated in discussions and exhibitions of the New York School. In the early 1940's Baziotes was close friends of Jackson Pollock, Roberto Matta and Robert Motherwell; with Pollock he painted some paintings together.
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William A. Baziotes
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Additional quotes by William Baziotes
We are getting mixed up with the French tradition. In talking about the necessity to 'finish' a thing, we then said American painters 'finish' a thing that looks 'unfinished', and the French, they 'finish' it. I have seen Henri Matisse's that were more 'unfinished' and yet more 'finished' than any American painters. Matisse was obviously in a terrific emotion at the time and he was more 'unfinished' than 'finished'.
Each painting has its own way of evolving. One may start with a few color areas on the canvas; another with a myriad of lines, another with a profusion of colors.. .Once I sense the suggestion I begin to paint intuitively. The suggestion then becomes a phantom that must be caught and made real. As I work, or when the painting is finished, the subject reveals itself.
Well, I looked at Picasso [at the Picasso exhibition, Museum of Modern Art, in 1939] until I could smell his armpits and the cigarette smoke on his breast. Finally, in front of one picture – a bone figure on a beach – I got it. I saw that the figure was not his real subject. The plasticity wasn't either – although the plasticity was great. No. Picasso had uncovered a feverishness in himself and is painting it – a feverishness of death and beauty.
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